Tuesday, 28 January 2025

HODGE

 

HODGE
By Matt Chisholm
Panther Books, 1958

The stranger rode into the dusty cowtown . . . and there was Cass, who should have been dead! But he wasn’t, he was the sheriff, and the feud which had simmered in years gone by, blazed out with renewed violence. Cass was now backed by the law and in no time at all he had planned a ‘legal’ killing . . . and the noose hung ready.

This was Matt Chisholm’s second book, and his first to feature characters he would write about again. Matt Chisholm is a pseudonym for author Peter Watts, who also wrote westerns as Cy James and Luke Jones. Altogether, he had about 100 books published and was one of the UK’s best selling western authors.

The opening chapters are extremely suspenseful as Hodge comes across a cabin outside of town where a young girl lives. Inside are two hurt men and it appears they are waiting for her father to return home. Hodge is soon held at gunpoint and it is obvious there’s something very wrong here. Hodge turns the tables and it isn’t long before he rides into town and gets the shock of his life when he discovers a man he thought he’d killed still lives. He’s also taken aback when he finds a woman, Rose, living in town too that he was once sweet on. Seems she’s promised to Cass’s brother, Geoff. From then on Hodge’s life only goes downhill and deadly confrontations came one after another with barely a chance to take a breath between them.

Like most of Chisholm’s characters, Hodge isn’t infallible and his mistakes put him in very dangerous situations. Chisholm often ends his chapters, or scenes, with cliff-hangers, making it very difficult to put the book down as you’ll need to know what happens next. Once Cass works out how to get rid of Hodge legally, the author really builds the tension as a beaten Hodge is taken to jail and is soon standing in a wagon bed awaiting the fixed outcome of the townsfolk trying him which will surely result in his hanging. This is truly a great how-is-he-going-to-get-out-of-that moment. 

Even at this early stage in Peter Watts’s writing career the author’s strengths are very clear. Superb characterization, excellent plotting, and none-stop action that all combine to provide edge-of-the-seat reading. 

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